Kori hazel
WRITING & PR | BOOKING | MARKETING | CREATIVE | PROJECT MANAGEMENT | PHOTOGRAPHY
WRITING & PR | BOOKING | MARKETING | CREATIVE | PROJECT MANAGEMENT | PHOTOGRAPHY
Based out of Denver, Colorado, Kori Hazel is a multi-faceted entertainment professional. With experience in everything from marketing to talent buying, Hazel is equipped with the tools to elevate brands, bands, venues and everything in between with their entertainment objectives.
Writing & PR
Talent Buying
Marketing
Creative Consult
Project Management
Photography
& More
Billie Eilish is as much for adults as candy cigarettes — relating far more to the emotions of peers knee deep in puberty than those who’ve been there and certainly done that — but it’s there, in that reckless macabre dance with adolescence where her true brilliance lies.
Performance art in the flesh, Dutch Confetti is a rare sight of self-indulgence and decadence in Denver’s DJ world, one who has his cake and can eat it too.
Directed, edited and filmed the latest promot for isometric fitness company Bullworker.
Red Rocks, Coloroado | November 13, 2020
Projected onto the Daniels & Fisher Tower in conjunction with Night Lights Denver and CPR Indie 102.3 we premiered the newest video for Oxeye Daisy’s newest single “Wanting”.
Daniels & Fisher Tower | June 27, 2020
Working alongside the 303 Magazine team, I assisted with the ideation and execution of “The Green Room” disco pop-up installation at The Underground Music Showcase, designing the space, booking the talent and operating sound throughout the invite-only event at the annual music festival.
Planned and produced the first 303 Music Fest in conjunction with 303 Magazine in May of 2018. Booked thirteen (13) local musicians across a multitude of genres for a one night only showcase, including a city-wide “Super Jam” led by Wes Watkins and The Other Black.
Coordinated and creatively consulted on the 303 Cover Challenge series alongside video partners Dead Medium, including but not limited to developing a revamped and sustainable concept, location scouting and booked talent for the series. In addition, I hosted the first ever “303 Cover Challenge Live,” a showcase of local talent through the lens of national recognition, in a large scale “Super Jam,” curating the talent as much as the material covered for a one-of-a-kind experience.
The concert was a moment of pause, wherein the world was cut away, and the haphazard shapes of the rocks and the stage were the only things that stood between each individual fan and the band. In a perfect world, you could have died right there, but to put it in less poetic terms — there are many beautiful concerts, and then there’s Bon Iver.